Softened for the first film (in which she was played by a 21-year-old Kim Darby, in a bob), she has been toughed up again by the Coens so that she resembles the seemingly humorless if often unintentionally humorous Scripture-quoting martinet of Mr. As she listens to Rooster recount his bloody deeds and high body count, her eyes shine with a true believer’s excitement.Īvenging her father and keeping close track of her family’s expenses are what preoccupy Mattie, a richly conceived and written eccentric, as memorable on the page as she is now on screen. A deputy United States marshal, Rooster has attracted the interest of Mattie Ross (Hailee Steinfeld, in a terrific film debut), a half-pint who, with her bloodlust and severely braided hair, is an authentic American Gothic. The pale, ghostly light comes courtesy of the Coens’ frequent cinematographer, Roger Deakins, while many of the twisty, funny sentences have been plucked by the filmmakers right from the novel. Much as he did in the raucously entertaining original film directed by Henry Hathaway, Rooster enters on his best behavior, seated in a courtroom amid a fog of cigar smoke and conspicuous lies. Now it’s the thinner scene-stealer Jeff Bridges who sits and sometimes drunkenly slumps in the saddle. Portis’s tall tale was brought to the screen the next year custom-fitted for John Wayne, who rode the role of that fat man, Rooster Cogburn, straight to an Oscar.

Beautifully adapted by Joel and Ethan Coen from the parodic western novel by Charles Portis, it turns on a 14-year-old Arkansas girl who hires a “one-eyed fat man” to hunt down her father’s killer. That old-time American religion of vengeance runs like a river through “True Grit,” a comic-serious tale about some nasty, brutish times.

Terrier by Tamora Pierce